By Andrea Lule

Just Mercy is a powerful legal drama directed by Destin Daniel Cretton, based on Bryan Stevenson’s memoir. The film follows Stevenson, a young lawyer, as he fights to overturn the wrongful conviction of Walter McMillian, a black man sentenced to death for a crime he didn’t commit in Alabama. Themes of racial inequality, systemic injustice, and the power of compassion pervade the narrative, inviting reflection on the flaws within the criminal justice system.

Just Mercy employs recurring signs and symbols, such as prison bars and courtroom settings, to underscore the oppressive nature of the justice system. It critiques race and socioeconomic status quo by depicting how these factors influence legal outcomes, highlighting the disparities in treatment between white and black defendants. The film also challenges stereotypes and prejudices, humanizing its characters and portraying the inherent dignity of every individual, regardless of race or background.

Visual cues in Just Mercy, including camera angles and lighting, are used strategically to emphasize power dynamics and evoke emotional responses. Close-up shots convey the characters’ inner turmoil, while wide angles capture the broader social context of their struggles. Female characters in the film exhibit resilience and strength, challenging traditional gender roles and expectations. Their presence contributes to a more nuanced portrayal, defying stereotypes prevalent in society.

Director Destin Daniel Cretton’s intention with Just Mercy was to shed light on the injustices ingrained within the legal system and inspire audiences to advocate for change. The film serves as a cultural commentary on issues of race, ethnicity, sexuality, and gender, sparking conversations about systemic oppression and the need for reform. Compared to other films, Just Mercy stands out for its unflinching portrayal of real-life struggles and its commitment to social justice, making it a poignant and thought-provoking cinematic experience.

Just Mercy. Directed by Destin Daniel Cretton. Warner Bros. Pictures, 2019, 136 mins.